{"id":876,"date":"2010-09-26T18:51:02","date_gmt":"2010-09-26T16:51:02","guid":{"rendered":"http:\/\/situacioncritica.es\/?p=876"},"modified":"2020-07-29T08:47:47","modified_gmt":"2020-07-29T06:47:47","slug":"mr-pink","status":"publish","type":"post","link":"https:\/\/situacioncritica.es\/blog\/mr-pink\/","title":{"rendered":"MR. Pink"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"MISTER PINK\" width=\"652\" height=\"489\" src=\"https:\/\/www.youtube.com\/embed\/RWPFzlsGI3c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>La agencia Fuel de Lisboa es la que est\u00e1 detr\u00e1s de este gran gui\u00f1o a Reservoir Dogs.<br \/>\nNada m\u00e1s exc\u00e9ntrico que utilizar el emblem\u00e1tico t\u00edtulo de Quentin Tarantino, una pel\u00edcula sin el menor atisbo de \u00abaroma\u00bb gay, para promocionar un festival que premia y da visibilidad a pel\u00edculas con esta tem\u00e1tica.<!--more--><\/p>\n<p>Una manera simp\u00e1tica e inteligente de re\u00edrse de los prejuicios, pasar por encima de los t\u00f3picos, y a la vez, hacer sonre\u00edr al personal.<\/p>\n<p>Agencia: Fuel, Lisboa, Portugal<br \/>\nCreativos: Marcelo Louren\u00e7o, Pedro Bexiga<br \/>\nProductor: Miguel Barbosa<br \/>\nProducci\u00f3n: Sync<br \/>\nDirector: Pau de La Sierra<br \/>\nM\u00fasica: DizPlay<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La agencia Fuel de Lisboa es la que est\u00e1 detr\u00e1s de este gran gui\u00f1o a Reservoir Dogs.<br \/>\nNada m\u00e1s exc\u00e9ntrico que utilizar el emblem\u00e1tico t\u00edtulo de Quentin Tarantino, una pel\u00edcula sin el menor atisbo de \u00abaroma\u00bb gay, para promocionar un festival que premia y da visibilidad a pel\u00edculas con esta tem\u00e1tica.<\/p>\n","protected":false},"author":1,"featured_media":2702,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[22],"tags":[158,52,159,160,161,162],"class_list":["post-876","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-creatividad","tag-fuel","tag-gay","tag-lisboa","tag-portugal","tag-queer-lisboa","tag-reservoir-dogs","post_format-post-format-video"],"jetpack_featured_media_url":"https:\/\/situacioncritica.es\/blog\/wp-content\/uploads\/2010\/09\/Captura.jpg","jetpack-related-posts":[{"id":1908,"url":"https:\/\/situacioncritica.es\/blog\/la-tipografia-de-lisboa\/","url_meta":{"origin":876,"position":0},"title":"La tipograf\u00eda de Lisboa","author":"Sethbastian","date":"29 de enero de 2014","format":"video","excerpt":"La agencia\u00a0Leo Burnett\u00a0en Lisboa ha dise\u00f1ado la tipogr\u00e1f\u00eda oficial para la ciudad con el apoyo del ayuntamiento de la capital portuguesa. Los tranv\u00edas emblem\u00e1ticos de Lisboa no pasan desapercibidos para nadie. Ni ellos ni los cables que les proporcionan la energ\u00eda y que se distribuyen por los cielos de los\u2026","rel":"","context":"En \u00abCreatividad\u00bb","block_context":{"text":"Creatividad","link":"https:\/\/situacioncritica.es\/blog\/creatividad\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/06\/wallpaper2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":350,"url":"https:\/\/situacioncritica.es\/blog\/la-simpleza-de-un-slogan\/","url_meta":{"origin":876,"position":1},"title":"La simpleza de un slogan","author":"Sethbastian","date":"10 de diciembre de 2008","format":"image","excerpt":"A veces los creativos publicitarios se estrujan tanto la cabeza para vender un producto que lo que para ellos es obvio, para los espectadores del anuncio puede ser confuso. La agencia danesa & Co fue contratada por la firma de zapatos Bianco Footwear para su nueva campa\u00f1a publicitaria gr\u00e1fica y\u2026","rel":"","context":"En \u00abCreatividad\u00bb","block_context":{"text":"Creatividad","link":"https:\/\/situacioncritica.es\/blog\/creatividad\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2008\/12\/bianco-footwear-how-to-double-your-collection-3-f6a5d55acbb966741576e38ea8.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2008\/12\/bianco-footwear-how-to-double-your-collection-3-f6a5d55acbb966741576e38ea8.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2008\/12\/bianco-footwear-how-to-double-your-collection-3-f6a5d55acbb966741576e38ea8.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2870,"url":"https:\/\/situacioncritica.es\/blog\/sushi-para-ninos-de-la-mano-de-home-sweet-sushi\/","url_meta":{"origin":876,"position":2},"title":"Sushi para ni\u00f1os de la mano de Home Sweet Sushi","author":"Sethbastian","date":"7 de julio de 2018","format":false,"excerpt":"El restaurante portugues especializado en comida japonesa, Home Sweet Sushi, acaba de lanzar un nuevo men\u00fa para ni\u00f1os. El estudio lisboeta Savvy Agency se ha encargado del dise\u00f1o del packaging.","rel":"","context":"En \u00abCreatividad\u00bb","block_context":{"text":"Creatividad","link":"https:\/\/situacioncritica.es\/blog\/creatividad\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/SushiKids28929.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/SushiKids28929.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/SushiKids28929.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/SushiKids28929.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/SushiKids28929.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/SushiKids28929.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5363,"url":"https:\/\/situacioncritica.es\/blog\/la-muerte-de-la-estrella-de-cine\/","url_meta":{"origin":876,"position":3},"title":"La muerte de la estrella de cine","author":"Sethbastian","date":"16 de agosto de 2024","format":false,"excerpt":"En la Era de Oro de Hollywood todo giraba en torno a la figura del la estrella de cine y su capacidad de arrastrar masas de espectadores a las salas. Distintos factores han propiciado que eso ya no ocurra.","rel":"","context":"En \u00abCreatividad\u00bb","block_context":{"text":"Creatividad","link":"https:\/\/situacioncritica.es\/blog\/creatividad\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2024\/08\/Marilyn_Monroe_photo_Seven_Year_Itch-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2024\/08\/Marilyn_Monroe_photo_Seven_Year_Itch-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2024\/08\/Marilyn_Monroe_photo_Seven_Year_Itch-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2024\/08\/Marilyn_Monroe_photo_Seven_Year_Itch-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2024\/08\/Marilyn_Monroe_photo_Seven_Year_Itch-1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2828,"url":"https:\/\/situacioncritica.es\/blog\/la-app-babbel-trolea-a-rusia-en-los-metros-de-madrid-y-barcelona\/","url_meta":{"origin":876,"position":4},"title":"La app Babbel trolea a Rusia en los metros de Madrid y Barcelona","author":"Sethbastian","date":"2 de julio de 2018","format":false,"excerpt":"Al coincidir este a\u00f1o las marchas de orgullo con la Copa del Mundo de F\u00fatbol, la aplicaci\u00f3n para aprender idiomas Babbel ha aprovechado la coyuntura para echar una pullita a Rusia y dirigirse a la comunidad LGBTQ con una campa\u00f1a gr\u00e1fica de carteles en las estaciones de metros de varias\u2026","rel":"","context":"En \u00abCreatividad\u00bb","block_context":{"text":"Creatividad","link":"https:\/\/situacioncritica.es\/blog\/creatividad\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/Captura-de-pantalla-2018-07-02-a-las-18.28.28.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/Captura-de-pantalla-2018-07-02-a-las-18.28.28.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/Captura-de-pantalla-2018-07-02-a-las-18.28.28.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2018\/07\/Captura-de-pantalla-2018-07-02-a-las-18.28.28.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4344,"url":"https:\/\/situacioncritica.es\/blog\/el-doble-rasero-de-disney\/","url_meta":{"origin":876,"position":5},"title":"El doble rasero de Disney","author":"Sethbastian","date":"10 de marzo de 2022","format":false,"excerpt":"Disney gana dinero con el merchandising del Orgullo Gay mientras apoya financieramente a politicos republicanos responsables de impulsar una ley hom\u00f3foba en Florida.","rel":"","context":"En \u00abSociedad\u00bb","block_context":{"text":"Sociedad","link":"https:\/\/situacioncritica.es\/blog\/sociedad\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2022\/03\/tyler-nix-kxvo-c2GhwQ-unsplash.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2022\/03\/tyler-nix-kxvo-c2GhwQ-unsplash.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2022\/03\/tyler-nix-kxvo-c2GhwQ-unsplash.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2022\/03\/tyler-nix-kxvo-c2GhwQ-unsplash.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/situacioncritica.es\/blog\/wp-content\/uploads\/2022\/03\/tyler-nix-kxvo-c2GhwQ-unsplash.jpeg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/posts\/876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/comments?post=876"}],"version-history":[{"count":3,"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/posts\/876\/revisions"}],"predecessor-version":[{"id":2705,"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/posts\/876\/revisions\/2705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/media\/2702"}],"wp:attachment":[{"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/media?parent=876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/categories?post=876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/situacioncritica.es\/blog\/wp-json\/wp\/v2\/tags?post=876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}